Victor "Friend of this Blog" Morton is a lucky man. Not only is he at the Toronto Film Festival today, but he is almost certainly going to run into the comedian Sacha Baron Cohen masquerading as his ingenious character Borat, the Kazakh TV personality. For the uninitiated, Borat is a Kazakh TV journalist who is cheerfully, shockingly crude and anti-Semitic, but who affects such wide-eyed naivete that the marks for Cohen's satire inevitably want to please him. Cohen is in Toronto as Borat promoting his forthcoming film "Borat: Cultural Learnings of America for Make Benefit Glorious Nation of Kazakhstan", which a New York friend who has seen an early screening, assures me is one of the funniest movies ever made. I'm a huge Borat fan, so I can't wait.
Today's NYT has a piece on one controversial aspect of the movie, and in turn of the Borat shtick: it's anti-anti-Semitism. Cohen, who is Jewish, plays Borat as an avuncular Jew-hater, and thus tackles anti-Semitism by making ironic fun of it. Take this clip from HBO for example. Here's Borat at a honky-tonk, singing what he convinces the audience is a Kazakh country song, titled "Throw the Jew Down the Well." The audience really gets into it. It's insanely funny.
Is Cohen drawing out and exposing the anti-Semitism of these country people? Perhaps. But the real genius of Borat is how he exposes people's slavish desire to conform. I think he could have stood there pretending to be an equally clueless and eager-beaver Israeli Jew, and convinced the crowd to sing along to "Throw the Muslims Down the Well," or something similar. Maybe it's an American thing, I dunno, but if you watch enough Borat on HBO, you see over and over that the people he interviews are so eager to please, so desperate to make the nice but offensive foreigner feel comfortable, that they make fools of themselves.
Case in point: in one of the earlier episodes (which air on "Da Ali G. Show"), Borat visits high-society Charleston, ostensibly to show his Kazakh TV audience about Southern traditions. He goes to a fancy dinner party among all the well-bred Charlestonians, and starts talking crudely about sex. And then he farts at the table. It's hilarious to watch the well-off Charlestonians squirming at all this, trying very hard not to embarrass their guest (a polite Southerner is brought up to consider it his or her duty to prevent a guest from feeling uncomfortable). They ought to have thrown him out, but they didn't, they just took it, and played along unaware that they were being had. (I couldn't find a clip, but if somebody does, let me know and I'll post it).
This is how Cohen works in all his characters. Here is a screamingly funny clip in which Cohen, disguised as "Bruno," a gay Austrian TV fashion reporter, exposes the utter idiocy of New York fashionistas. It leaves you with the sense not that these are bad people (though they might be), but that they are so desperately eager to please, to conform to the expectations of their interviewer, that they'll say anything.
I do think it's telling that Cohen, as a Jew, has the cultural confidence to make humor out of anti-Semitism. I don't think any other people do that, certainly not so well. Can you imagine a Christian comedian having such nerve? A Muslim comedian? (For that matter, can you imagine Christian or Muslim comedians? Funny ones, I mean.)

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Where to begin? Clicking on the two Borat links on this post led to other Borat and Ali G clips, some of which were screamingly funny, and some of which were screamingly funny in parts. However...
1. These poor dupes (interviewees) have to sign a consent form at some point, I imagine-- probably up front. Once they sign the form, is it a done deal no matter what? Have they been had? Or do they give consent after they know its a spoof? The former is deceit; the latter is consent. How many situations are filmed only to be scrapped because of legal sabers being rattled by people who feel victimized? How many situations are scrapped because the host actually ejects Cohen before filming is complete?
2. I am saddened by Cohen's work as I am with much of TV and film because these spoofs could be just as funny, or certainly more comfortable, without in-your-face lewdness. While clicking on the site with all of the Cohen clips, I was struck by the Borat skits in which he uses no-holds-barred photos of genitals and sexual intercourse as props to embarrass his interviewees. How cheap. Yuck.
3. Now, let's look at the big, commercial picture. HBO shows are HBO shows because they are both interesting and crude. These shows, like all shows, are PRODUCTS, and HBO's market segment for this product is the portion of the population that either secretly or openly wants over-the-top vulgarity in their programming, or at least tolerates it. If Cohen's show didn't have R-rated or NC-17 rated material, would HBO even want it? Do I want to support such a business?
4. Given the vulgarity here, how do pious, observant Jews feel about Cohen's satires as a way to expose anti-Semitism? Uncomfortable, perhaps? Does Cohen unwittingly play into the hands of anti-Semites in his clever attempts to do the opposite?
In conclusion, I could see the Borat movie and laugh my head off at much of it, but ultimately I'd feel dirty.>
Rod, you called it - the bit about throwing the Jew down the well is exactly as you state; a reflection of how readily we ALL conform. There is a scene in Cabaret where a young blue-eyed brown shirt sings a song called Tomorrow Belongs To Me that similarly illustrates the point. As one watches it, it is easy to understand how a sense of national pride and patriotic fervor can be turned all too easily into something, not just ugly, but very dangerous. Cohen asks us to look that squarely in the eye as we search our own hearts, I believe.>
I have seen this "comedian" I find him totally unfunny and offensive. Nopw he is a equeal oppertunity offender , looks like no one escapes his barbs. BUT what he says is IMHO offensive to all peoples .>
"offensive to all peoples"?
Not this part of "all peoples.">
I'm so glad that beliefnet decided to recognize Sacha Baron Cohen for his hilarious brand of humor.
Yes, Borat is one of the funniest characters you'll ever see on TV (and now, on the big screen). His naivete and good nature, combined with the utterly stereotypical behavior of a backwards person (even if it is totally unrepresentative of Kazakhistan) allows us not only to laugh, but to truly see and examine social conventions and communal biases.
But even with that said, Cohen's Bruno is my favorite character.>
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