Crunchy Con

Harry Potter: A Christian allegory?

Thursday October 18, 2007

Categories: Culture

Pretty much yes, says none other than J.K. Rowling.

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Comments
Elizabeth Anne
October 20, 2007 6:03 PM

David,
I fail to see how. Doctrine teaches us that being gay is no sin, but rather, specific acts. Every implication we have is that Dumbledore lived a celibate life.

sigaliris
October 20, 2007 11:37 PM

I'm really enjoying this discussion, with Margaret's and Franklin's contributions, because both of you made me see the Harry Potter story in new ways. Reading Rowling's comments, I didn't see them as evidence for anything as heavy-handed as an allegory. But, clearly, she was deeply engaged with Christian themes. Or, to put it a little differently, age-old themes that, in our culture, have been viewed primarily through a Christian lens.

Every story is a dance with invisible partners, a dance with all the other stories that have gone before. The best stories incorporate those ancient patterns into their own, yet still create surprise and fresh delight. It seems to me that people who are excessively concerned with whether a story endorses specific Christian tenets are mistaking the power of story for the power of propaganda, which is like trading warm, sustaining bread for a Krimpet. In a sense, no story that comes out of this culture can avoid being a Christian story, even if the apparent message of the story is one of opposition to the Christian canon. That's the ironic thing about Philip Pullman. The His Dark Materials trilogy was conceived as a cry of outrage against the evils of organized Christianity. And yet, the themes of love and sacrifice, and even the metaphors and images he uses, are imbued with life from the same source. I think a Christian child would learn a lot about her own faith by reading Pullman's books.

But Franklin's point of view made me look again, and ask myself if it's possible that stories imbued with the Christian mythos also inhabit a yet older world from which they, in turn, draw some of their life. I think it's no accident that part of the Narnian enchantment and beauty lies in its incorporation of pagan themes--fauns and talking animals, winged steeds, spirits of trees and waters. As Aslan says in The Magician's Nephew, "Narnia, Narnia, Narnia, awake. Love. Think. Speak. Be walking trees. Be talking beasts. Be divine waters." Thus he brings into the Christian world the old pagan sense of everything being alive. (I speak as an outsider and hope Franklin will correct me if I'm wrong.)

It's an old joke that there are Catholic atheists and Baptist atheists, Christian agnostics and Hindu agnostics. Because, even if you reject the specific dogmas you were taught as a child, it is far more difficult to escape the shape your world was given then. Your old stories will be with you for the rest of your life, like shadows dancing at the edge of your vision. Here is Harry's story, a story of love that is stronger than death, and power given to the service of love. Does it really matter if it has a brand name stamped on it? As Jesus said, the householder brings out from his store treasures both old and new. Or as Gerard Manley Hopkins said, " . . . for Christ plays in ten thousand places,/Lovely in limbs, and lovely in eyes not his/To the Father through the features of men's faces."

Margaret
October 21, 2007 8:05 AM

Sigaliris, you put it beautifully. "Your old stories will be with you for the rest of your life, like shadows dancing at the edge of your vision." And as someone who did her graduate work in English, I am well steeped in this idea, and agree with it. But I don't think we can completely ignore one question: Isn't it possible that these "old stories" keep invading the new ones (even against the will of authors!) because they are... true? Just food for thought. Hopkins is one of my favorite poets; I loved him when I was as an atheist, and I love him still....

"God's Grandeur":

THE WORLD is charged with the grandeur of God.
  It will flame out, like shining from shook foil,
  It gathers to a greatness like the ooze of oil
Crushed. Why do men then now not reck His rod?
Generations have trod, have trod, have trod;        
  And all is seared with trade; bleared, smeared with toil;
  And bears man’s smudge, and shares man’s smell; the soil
Is bare now, nor can foot feel being shod.
And for all this, nature is never spent;
  There lives the dearest freshness deep down things;       
And though the last lights from the black west went,
  Oh, morning at the brown brink eastwards springs—
Because the Holy Ghost over the bent
  World broods with warm breast, and with, ah, bright wings.

uh uh
October 21, 2007 8:54 AM

Actually, Franklin, you're not even a Salieri. Maybe it's the paganism.

Franklin Evans
October 21, 2007 12:30 PM

Actually, Uh uh, I'm not even anything. Sometimes, one may take a metaphor at face value.

Sig, you did put it beautifully. I've never seen Lewis write about it directly, and I tend to stay away from literary analyses (the sour taste in my mouth started with those who ignored Tolkien's self-analysis), but I do take Lewis with a pagan grain of salt. Some of my fellow pagans will call it stealing or borrowing; I prefer to call it assimilation. The Celtic Brighid came first, St. Bridget arrived later, and most Celts on both side of the divide seem to accept her in both modes.

Margaret, thank you for that poem. It is also beautiful.

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About Crunchy Con

Rod Dreher is an editorial columnist for the Dallas Morning News, and author of "Crunchy Cons" (Crown Forum), a nonfiction book about conservatives, most of them religious, whose faith and political convictions sometimes put them at odds with mainstream conservatives. The views expressed in this blog are his own.

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