The success of "Tropic Thunder," in which Robert Downey Jr. plays in blackface, raises the question: is blackface ever acceptable? CNN did a report on it yesterday, in which black sources were quoted saying they had no problem with the "Tropic Thunder" parody.
But they also interviewed Chuck Knipp, a white drag performer who has created Shirley Q. Liquor, a character popular on the gay club circuit. A gay friend sent me some SQL videos a few years ago. SQL is an outrageous stereotype of a lazy black welfare queen who has 18 kids and who will say any crazy thing. There have been protests over the years against SQL from black activists and sympathizers, but others, like the black drag artist RuPaul, have defended Knipp and his character.
One completely ridiculous defense of the Shirley Q. character is this from Rolling Stone's piece on her:
In her own bug-eyed fashion, Shirley Q. invites audiences to empathize with a poverty-stricken black single mother's daily struggles with police who arrest her for "driving while black," clerks who wrongly accuse her of shoplifting and coldhearted bureaucrats who shut off her electricity."Baby, we was extremely povertied this week," Shirley Q. announces. "My check had not came on time. Oooh, we was stretchin' it, honey. I aks them to keep my power on. I said, 'A woman have got to have some fans runnin' down here in this heat.' "
Oh, please. The Shirley Q. character is designed to make fun of a certain type of black person. Period, the end. It's not about social redemption. It's about comedy. People who claim that there is social value in the Shirley Q. character are just telling themselves that to redeem their guilty consciences.
To be honest, I don't know how to feel about this kind of thing. I've seen a small amount of Shirley Q.'s material, and laughed at much of it, but it does make me uneasy -- only because I'm white, and I know the cruel history of blackface performance. My default position is that if something is funny, it's funny because it tells us something about the human condition, and humor is mostly self-justifying. In theory, I think just about anybody is fair game for parody. The short Shirley Q. clip below is a brief riff on church-lady vanity. It's worth it for Shirley's line about how she wears hats for Jesus' glory.
Now, it's a hilarious bit, I think (there are two mild profanities, NB) -- but does the fact that it's being performed by a white man imitating a black woman make it any less hilarious? If it was performed word for word by a black performer (RuPaul, say), would it then be okay to laugh at it? If so, why?
And to go back to the original question: Is it ever acceptable for whites to perform in blackface, or for white comedians to make fun of black people (or other minorities)? If so, what are those conditions? If not, why not? I'm not sure of my own thoughts on this, because to be honest, I never really have the opportunity to think about it. Would love to know what you all think.

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I think that if you have issues with someone laughing at you (whether cruelly, or mockingly or not) that it reveals some sort of insecurity, or psychological weakness. Also, to tease or joke about someone without malice is often a sign of respect or affection.
The fact that we still need to parse these sorts of questions, is sad. True equality would mean (as a given) that we can laugh at one another.
Take George Dubya. He is mocked, mercilessly and with malice, all the time. But it's given that he's a big boy, and ought to be able to take it. Indeed, he usually seems oblivious to the fact half the country is snickering at him. The same goes for whitetrash. It's not just Larry the Cable Guy. It's everyone. The whitetrash mock themselves. That's security.
The fact that we're getting all balled up about this black face issue, when the last main stream white comedian to don it in mockery performed over five decades ago, before the end of vaudeville, is revealing.
Revealing, perhaps that many whites still have a bad conscience.. why? Because their grandparents were racist? No, I rather think it's because they still have "politically incorrect" thoughts that they themselves can rarely publicly fess to, and *that* makes them flagellate themselves, to expiate the retrograde thoughts.
If we really felt that blacks were truly equal, we wouldn't behave this way. We wouldn't care about words, about jokes. But because few people really do (to included very many blacks themselves), causing everyone to worry about public symbols, causing everyone to fudge them in a collective attempt at wish fulfillment and collective self deception.
Because the jokes simply cut too close to the bone. This is why the fact that certain black comedians such as Chris Rock and Bill Cosby (who's speaking up on Oprah, not cracking jokes anymore) are now pointing to many of the pathologies of the Black community, is a hopeful sign.
If we could all just relax, and just make as much fun of Obama (say) as possible, instead of treating him with what I think is false respect (because it simply masks this bad conscience I'm talking about) we would all move to a more healthy and mature public discourse.
And healthy discourse makes for healthy politics, and healthy communities. So let's have more jokes. Even if they involve blackface.
So, when is SONG OF THE SOUTH going to be available on DVD?
(FWIW, you can watch it in segments on YouTube)
> "If a friend of mine is letting off steam and says something that could be considered critical,insulting, or mocking about her husband, it's different than if I were to say the exact same thing to her."
Ta-Nehisi Coates recently made the same point about the N Word and its various derivations. (Coz, yeah, people never say cruel or abusive things that hurt their spouses, at least not often or badly enough for outsiders to have standing to intervene.)
I see the logic, but in practice there's the question of what lawyers call "administrability". You know your friend and her husband are married to each other. OTOH, if someone starts making jokes or complaints about X group, I really don't want to have to check their identity papers to see whether they are peeing from inside the tent or outside it.
That's why I think skin colour - not race, but skin colour, in the most literal sense - is the best guide for whether "blackface" is offensive. If a white person in dark-skinned makeup looks like a crude caricature of a stereotypical "lawn jockey", then I'd be picketing the cinema too - if that were played for laughs. Otherwise, if it were a docudrama on the racism suffered by Al Jolson. (Or what if it were a Michael Moore stunt pulled at the GOP National Convention? Liberals would protest that too, right? I guess Ted Danson - then dating Whoopi Goldberg - did cop criticism in 1993 when he tried something similar.)
But Downey, as noted, could pass for Don Cheadle's cousin. It's a careful and subtle use of makeup.
"the racism suffered by Al Jolson" - Rod Blaine
You mean we had racists not just thick here [points to head] and here [heart] on general principles - but so cognitively, as it were, benighted, as to also mistake Al Jolson for a real-life black man?
My Yiddishe Mama, oy vey - I should *live* so long..
Whatever, Scott. You know what I mean.
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