Two things testifying to the power of culture in warping minds, both high and low.
1. Thomas Gibbon, who does Teach for America, writes of teaching in an inner-city school:
One of my good buddies from the summer training institute quit within the first week. The kids at his school were calling him a faggot and mocking how he dressed and talked. He couldn't teach and felt incredibly uncomfortable in front of his class.I was similarly mocked for what felt like a very long time as I got to know my place and my role in the school. The first time I told a girl that she couldn't use the word "faggot" in my classroom she responded with: "Why mister - is you a faggot?"
That was a classic moment in my life. I was stunned that a student would say that to a teacher! That girl, who graduated last year, was recently walking the halls of the school with her one-year-old son in her arms; she was feeding him a bottle filled with Coca-Cola.
A couple of years ago, we had an editorial board meeting with candidates for Dallas school board. A black incumbent incensed most of my colleagues when upon being asked about the awful achievement of minority students locally, essentially shrugged and said, "What do you expect us to do?" His point was that teachers can't be miracle workers when so many of these kids come from a dysfunctional culture. I understand why my colleagues felt that this school board member was being a cynic, and why they were angry at him. But I don't think the man was entirely wrong. How much can we really expect public school teachers to accomplish when dealing with kids who walk the halls of high school feeding Coke to their one-year-old babies? When you've got a high school in which students tote their babies to class, you've got problems that defy a pedagogical solution.
2. The other day, I was talking to a younger friend who has a new job teaching literature at a public university. For the record, my pal is an Obama-voting liberal. I asked him how he liked the department.
"Oh, it's all about 'was Shakespeare gay?' That kind of thing," he said.
"That's intellectually corrupt," I said.
"It's boring," he replied.
I thought that was an interesting response, and on reflection, agreed with him. He went on to say that the teaching of literature these days comes down to a group of highly trained specialists talking with each other in an incomprehensible jargon about things that have very little to do with the meaning of literature. He said, "They hired a professor last year to teach 18th-century English literature. He had done his Ph.D. dissertation on hidden homosexual signifiers in Renaissance portraiture. Which is an interesting idea, I guess, but what does it have to do with 18th-century literature?"
(Note: I changed a couple of the details in that last quote, to protect my friend. I assure you that the example he was using was no different in meaning than this example.)
I asked him what he would do one day if his kids decided to study literature in college. What would he recommend to them, knowing what he does about the state of the humanities? He didn't get to answer, because our conversation was interrupted. Still, it's a great question, and I'd be curious to know what humanities professors who read this blog have to say. Incidentally, I later checked the undergraduate tuition cost at my friend's state university. It's roughly $13,000/year, including room and board for residents of his state, and around $23,000/year for non-residents. I think if I were paying that kind of money for my kid to sit in class and ponder what Shakespeare may or may not have done with his pecker, I'd go through the roof.

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John D
It's easy to dismiss scholarship without reading it, but then you end like like Sarah Palin, decrying fruit fly studies when there was autism to research (unaware that the study had implications in autism). I love the newspaper accounts of the MLA conferences because the presentations the journalists find most worthy of mockery are the ones I'd really like to attend.
If something that science is doing looks stupid, there are three explanations:
a) It really is stupid, and other scientists think it's stupid. Rest assure that just because 'scientists' are doing something doesn't mean that anyone's going to publish that.
b) It's a PhD dissertation in a very well explored field, so people are reduced to looking at crazy things to get their PhD. Most of those people stop doing 'research' the second they get their PhD, and aren't actually scientists, but 'technicials' and 'teachers', so it's not important.
c) You have missed something important about what's going on, aka, you're Palin.
Don't feel to bad about c. Science is huge. Of the stuff you don't understand why scientists would do it, 95% of actual scientists probably have no idea why either. (And another 4% understand why they're doing it, but think they're factually wrong in what they're trying to prove.)
Just don't run around criticizing things because they look silly. If they actually are silly, science already knows, and if they aren't, science will fight back.
Erin,
Serpentes on a Shippe! (spoylerez) is the funniest thing I've read in a long time. I thank thee.
Jon W
I'm late to the game on this one, but I completely agree with what Jefferson Smith said.
At SDSU, the push is research! research! in the president's and provost's bid for research laurels. They are mighty proud of our being "the number 1 small research university." As if most students care about that - I don't. Student want courses offered in a timely manner and in enough quantity to handle enrollment so they can graduate. Education goes out the window.
DavidTC,
No need to explain the Wonderful World of Science to me. I may be a humble B.A. with a degree from University of Deconstructionsism, the kind of guy who has read Foucault in bed, but my husband is a professor in one of the sciences (there's a limit to how much biographical detail I want to put here).
Let me assure you, though, that while the standards for rigor are probably at their loosest in the humanities, you don't get to just make stuff up.
There was a post where Sharon Astyk lauded a professor who was a New Critic (a neo-New Critic), with the explanation that it would have been "boring" to be a New Critic when everyone was a New Critic. Of course, when "everyone" was a New Critic, some people followed the older forms of criticism and doubtless failed to see what was so wonderful about those short sentences in Hemingway (who obviously could have learned a thing or two about periodic sentences from Dryden). Of course, if he had been a New Critic then, he'd be dead or fairly old now.
But all those newer schools of criticism, which one of my professors (who studied under the New Critics) referred to as "the critical toolbox," build on the work of the New Critics. Harold Bloom in The Western Canon quoted a greybeard saying, "we are all feminist critics now." At that point, they were all long since New Critics, and so are we all.
The New Critics are gone, but close reading is still king.
Now back to those lectures. Of course, a provocative title helps bring in the crowd. My husband once asked me if a title was "too smutty," and I proposed he use one that was even more sexually suggestive (no, he's not a biologist).
I've been to talks with quite serious titles that I thought were utter nonsense. And I've been to talks with provocative titles that I thought were brilliant. The question is always the same: "does this provide a means to better comprehend this text?"
Oh, sorry John D, I wasn't talking to you. You understand, I'm sure. My 'you' was a generic.
I actually had an intro paragraph where I talked directly to you, but I cut it out, I've been trying to trim my posts down here. (I apparently need an editor.) And yeah, titles of talks where they want to attract the public are often unrelated to the seriousness of the issue.
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