David J. Bookbinder: February 2009 Archives

A little over a year ago, roughly coinciding with the 15th anniversary of my near-death experience, my good friend Larry "Doc" Pruyne completed a short film about me. It tells the story of my flower mandala images, my work as a psychotherapist, my personal journey of near-death survival, and the connections between them. As NDE anniversary number 16 approaches on February 21, 2009, I wanted to post his film here.

Larry knows my story better than anyone. He is the person who drove me home from the hospital that nearly killed me, and our friendship has been mellowing and deepening ever since. My life and his have intertwined in many ways during the past 16 years, and this film represents, in part, the product of that interweaving. It was a reluctant collaboration: Larry came into it with his own ideas of about how to tell the story, and of course so did I. The film mingles our two points of view not only about my story but also about art, healing, transformation, and storytelling itself. It is a snapshot both of the period during which it was shot and of our friendship. As we evolve, perhaps it will, too.

healing image is also the prototype for a series of films Larry is working on that that deal with art, artists, and the artistic process.

Contact:
Lawrence "Doc" Pruyne is a filmmaker and writer in the Boston area, with over 800 articles and stories published. His film healing image has been widely displayed for college audiences and at festivals, including a Best Short at the Somewhat North of Boston Film Festival. He can be reached at docpruyne1@verizon.net.

Discussion:
Art, Healing, and Transformation group
Flower Mandalas Project group
Cultivating Creativity group

Request the 15 Flower Mandalas screensaver: Fifteen Flower Mandalas

Images © 2005-2009, David J. Bookbinder
'healing image' film © 2008, Lawrence Pruyne

Sunset Swirl mandala, by David J. Bookbinder

The Dynamic Mandala
By Rolf Sattler

A mandala can be a door to the infinite because its center usually represents the source of all existence. However, a mandala is also limited because around its center it portrays the finite, the relative, and this portrayal is always limited and one-sided: only one perspective of the finite, of manifest reality. We can, however, obtain many perspectives on manifest reality, and thus a much more comprehensive picture of manifest reality, if we embrace a multitude of mandalas or the whole set of mandalas.

The dynamic mandala is the whole set of mandalas in a dynamic, transformative relationship in which each mandala is seen as a transformation of other mandalas.
We may creatively imagine the transformation or execute it through specific rules or computer programs. I presented some of the rules for conceptual mandalas in Chapter 5 of my online book Wilber's AQAL Map and Beyond.

The transformation of mandalas affects mainly the representation of manifest reality. However, even the source, although presumably the same in all mandalas, may be represented differently: for example, by an empty space, or a deity, or the Buddha as a symbol of emptiness. In certain mandalas such as flower mandalas, the center is still part of manifest reality, which means that it is not the source in the above sense from which all manifest reality arises. However, although the source is not represented explicitly, it may be implied through the form of the mandala as a whole that indicates the radiance from a center and thus allows us to feel the mystery of the source of all existence. This is also the case in a mandala that I reproduced in my online book (Fig. 5-8 in Chapter 5).

There are advantages and disadvantages of representing the source explicitly or implicitly. An explicit representation helps us to re-member the source, which is so often forgotten. It might, however, give the impression that the source is separate from manifest reality, or, in other words, that nirvana is separate from samsara. In contrast, in an implicit representation of the source, the source and its manifestation are one, or, in other words, form is emptiness, and emptiness is form. Unfortunately, this may not be obvious and may be ignored. However, many mandalas that imply the source, such as David Bookbinder's flower mandalas, touch us deeply through their beauty in which the mystery of the source reveals itself.

Regardless of whether the source is represented explicitly or implicitly, mandalas are important for transformation. The dynamic mandala is transformative in a twofold sense:

1. It allows and invites practically endless transformations of mandalas, each of which presents a different perspective on reality.
2. It facilitates transformation of the person who moves from one mandala to another and thus gains new perspectives on reality.

Thus, the dynamic mandala transforms the observed and the observer.

Transformation can be healing because it can create more balance - balance within a person and balance between different mandalas. According to Chinese medicine, health is balance. And balance includes tolerance, which in turn leads to more harmony and peace.

Nonetheless, one might say that any one single mandala is sufficient for personal transformation and healing. In a sense, this is correct because any single mandala can lead to the infinite, the source, the mystery, to transcendence of the finite, which can be healing. But since a mandala comprises both the source and its manifestation, and since the manifestation around the source is expressed differently in different mandalas, the embrace of many mandalas with different representations, different perspectives on manifestation, can prevent that we get stuck in one single representation and perhaps even take it to be the true representation. Believing that there is only one true representation means that all the other ones are false, which can lead to conflict as we have witnessed it throughout history not only with regard to different mandalas but even more with regard to different beliefs, different ideas, different philosophies, different ideologies, and different religions that worship different mandalas.

However, recognizing that different mandalas present different perspectives on manifest reality, allows tolerance because different perspectives complement one another (see Chapter 6 of my online book). Such tolerance, which is healing, is especially important in interpersonal relationships and in society at national and international levels. For this reason, the dynamic mandala, perspectivism and complementarity should play an important role in education from kindergarten to elementary school, high school, university, and adult education in lifelong learning.

There is a continuum between people who are tolerant of different views and those who insist that there is only one correct one. Somewhere along this continuum is Ken Wilber, who insists that his AQAL map of the Kosmos "is the most complete and accurate map we have at this time" (Ken Wilber: The Integral Vision, 2007, p.18). (This map can be seen as an inverted mandala that has the source at the periphery instead of in the center.) I think that Wilber's map or mandala is indeed most remarkable. It is very comprehensive and shows a good balance of "body, mind, and spirit in self, culture, and nature" (Ken Wilber: The Integral Vision, 2007, pp. 217-218). Nonetheless, Wilber's map has limitations. One of the most fundamental limitations is Wilber's insistence that manifest reality is fundamentally holarchical (hierarchical), which means that it is composed of different levels and that each higher level includes and transcends the preceding one. This view is indeed a useful perspective, but it needs to be complemented by other perspectives such as seeing manifest reality as undivided wholeness, a continuum, in terms of Yin-Yang, a network, or in terms of dialectics. If we include these perspectives, we gain a still more comprehensive and more balanced view of the Kosmos, including ourselves. The dynamic mandala comprises all of these perspectives and much more because its transformations are not restricted to conceptual mandalas such as Ken Wilber's AQAL map but include also other kinds of mandalas such as mathematical mandalas, organic/artistic mandalas, and the mandalas of the wisdom traditions.

Rolf Sattler
http://www.beyondWilber.ca

Discussion:
Art, Healing, and Transformation group
Flower Mandalas Project group
Cultivating Creativity group

Request the 15 Flower Mandalas screensaver: Fifteen Flower Mandalas

Text © 2009, Rolf Sattler
Sunset Swirl mandala image © 2008, David J. Bookbinder

Flower Essence Mandala: Turkscap-Pansy-Dianthus

Flower Essence Mandalas
By Mary Kraemer

I use edible flowers to create by hand a mini-cosmos for healing with the medicinal and spiritual qualities of the flowers and as a mediation tool. I invite you to take a moment to absorb the imageinto your mind and body and feel its qualities transform you.

Mandala in Sanskrit means essence, or containing; also translates as circle-circumference or concentric diagram having spiritual and ritual significance in both Buddhism and Hinduism.

Flower Essence prescription of Giant Turkscap - Malvaviscus Arboreus, Pansy, Dianthus Mandala:

Meditate on the root chakra receiving healing. This essence releases pent up creative forces within the womb area and literally sets one free to dance again in life. Corrective of imbalance: connecting with their sexuality often due to abuse. Eliminates fear and greed and brings contentment. Pansy is an immune builder as it draws out from within the individual the purest quality of heart and mind. Pansy helps us to 'face' the world, thereby, strengthening our courage to share our beauty with the world. Pansy clears negative thoughts and opens the heart chakra. Dianthus at the center promotes new perspectives on seemingly endless situations.

In different spiritual traditions, mandalas are used for focusing attention; as a spiritual teaching tool; for establishing a sacred space; and as an aid to meditation and trance induction. Its symbolic nature can help one to access progressively deeper levels of the unconscious, ultimately assisting the meditator to experience a mystical sense of oneness with the ultimate unity from which the cosmos in all its manifold forms arises. The psychoanalyst Carl Jung saw the mandala as a representation of the unconscious self, and believed his paintings of mandalas enabled him to identify emotional disorders and work towards wholeness in personality.

Mandala represents the cosmos metaphysically or symbolically, a microcosm of the Universe from the human perspective and a microcosm representing various divine powers at work in the universe.

Mandalas are a sacred places reminding the viewer of the sanctity in the Universe and its potential in his or her self. The purpose being to put an end to human suffering, be enlightened and to discover divinity within one's own self.

When I created this design and shot this photo, I used what flowers I had available as well as what design I was drawn to making. I had hoped to heal others as well as myself when making it as is my intention. But it isn't till I write this that I realize this specific flower combination heals me as well. I too suffer from great bouts of fear and feel unable to dance. My situation being unemployed and a single parent makes my suffering acute as my children are in this situation as well. I really need pansy to help face this situation and clear my negative thoughts. Dianthus additionally helps me have new perspective on the situation seemingly that is endless.

Thanks for giving me a forum.

Mary Kraemer
mary@rosamilagrosa.com
512-482-0777
www.RosaMilagrosa.com

Edible Flower Photography, Edible Flower Mandalas for Cakes, Healing with Holographic Repatterning

Discussion:
Art, Healing, and Transformation group
Flower Mandalas Project group
Cultivating Creativity group

Request the 15 Flower Mandalas screensaver: Fifteen Flower Mandalas

© 2009, Mary Kraemer