Or more accurately, it’s the recession, stupid. Just as the major presidential candidates have rewritten their scripts from “change agent” to “steady at the helm,” the Oscar nominations, announced this morning, are asking us to take a second look at dark films we once dismissed but seem right on-message. Each of the best picture nominees scold, doubt or plain old go bad.
“Juno,” the story of a teen mom who gives her baby up for adoption to a newly divorced yuppie, is probably the most feel-good flick among the best picture contenders. Its chances for a nomination were judged as frail as its crocus-in-the-snow happy ending (too indie, too much of a teen flick). “Atonement,” a morality play set amid WWI, was similarly dismissed (dreary British characters), as was “Michael Clayton,” about a cynical law-firm “fixer” (bad opening box office).
But a little plumbing of humanity’s foibles goes further in a down market. In the end, the critics’ beefs with these films will likely keep them from winning, at least if the economy and the war keep dragging our spirits down. What depressive nation could resist giving the Oscar to films called “There Will Be Blood” or “No Country for Old Men”?
Add to Del.icio.us
Add to Technorati
Add to Digg
Add to Newsvine
Add to Facebook
Add to StumbleUpon
Subscribe
Can't believe you gave away the ending of Juno! Nice.
Sorry, Paul,but that's Hollywood mentality: if you haven't seen it yet, you don't count for anything.
James,
the end wasn't given away :) the story is more complicated than that.
Post a Comment
By submitting these comments, I agree to the beliefnet.com terms of service, rules of conduct and privacy policy (the "agreements"). I understand and agree that any content I post is licensed to beliefnet.com and may be used by beliefnet.com in accordance with the agreements.