As the Emmy awards approach while the Fall season kicks into gear, AMC's "Mad Men" is at the top of both discussions. It garnered 16 Emmy nominations,
more than "Desperate Houswives," "Grey's Anatomy" and "ER" combined. And for good reason.
"Mad Men" has managed to re-create not only the fascinating business environment of 1960, the pivotal nature of that decade's history, the zealous (sometimes fanatical!) world of Madison Avenue advertising and the loquacious nature of men among each other paired with their relative ambivalence at home.
Further, it also gently dives into the curious and oft-overlooked nature of religion and spirituality that reigned in that tumultuous time. On a show where chauvinism, womanizing and fraternizing is one of the main characters, Elisabeth Moss's "Peggy" explores fairness issues for women, her family's Catholic faith and her apparent departure from it, her attempt to be included in the debauchery-laden pecking order of her business, the aggressive proselytizing of a Catholic father, her own family's fixation with her church attendance and the Priest's fixation on her prior sins.

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