Although the recent Diablo Cody-penned post-feminist horror flick "Jennifer's Body" didn't scare up much box office, it has resurrected an interest in both womens' surprising consumption of horror films, and the robust body of work surrounding feminism and the genre, in particular the trope of the "Final Girl," that strong-willed, determined gal who survives all of her male and less-pure female friends, flips the game on the psycho, and either escapes the killer (until they meet again in a sequel) or dispatches him herself. (Read more about The Final Girl, in Carol J. Glover's Men, Women and Chainsaws: Gender in the Modern Horror Film.)
And while not all of the following frighteners could strictly be called "feminist" in nature, they all feature fierce female characters and offer up plenty of scares:
The Slumber Party Massacre (1982)
Written by noted feminist activist and author Rita Mae Brown and directed by Amy Holden Jones, this slasher flick touted its female-friendly pedigree on the back of the box-- a siren call for any Junior High group of gals looking for some Friday night fun. Rumor has it that 'Massacre' was originally conceived as a parody of the genre--the killer uses a massive drill to dispatch his victims (yes, it's that phallicly obvious), but producers churned out an earnest rendition with some unintentionally, classically funny bits. Valerie, the new girl in town, isn't invited to neighbor Trish's slumber party, but that doesn't stop her from getting involved when the local escaped insane murderer crashes.

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