Kathleen Norris tells her story, inAcedia & Me: Marriage, Monks and the Writer's Life, of how she became a poet during her college days at Bennington. It was a teacher who told her she had what it takes.
Any Kathleen Norris readers out there? What do you think of her works? What do you think of her story of rediscovering faith? (By the way, her story here reminded me of those mentioned in Finding Faith, Losing Faith: Stories of Conversion and Apostasy, as told in the fine work of Timothy Larsen, who walked away and then came back to the faith.)
This chp tells the depressing story of some poets who could not find peace, and Norris winds in and out of her discovery of her gift for writing her own loss of faith, her marriage, and her move to South Dakota -- where she began to discover her faith again.
In college she "came to believe that outgrowing a religious faith was something I needed to do in order to become a writer" (50). That is, "To challenge authority, convention, and traditional religion: that was the poet's calling." She also learned that depression was the proper mood for writing poetry.
She and her husband then moved from NY to SD: "The people I encountered every day were not other writers but farmers and ranchers, and something of their deep respect for God, the land, and the weather began to rub off on me" (52). She occasionally attended her grandmother's Presbyterian church, discovered a Benedictine abbey in the area, was advised to read Hans Kung or Flannery O'Connor -- she chose Flannery.
Both Norris and her husband were poets and how they learned to live together -- she going to bed early and arising early and he staying up late and rising late.
Acedia doesn't really come up in this chp much -- one might guess that she is here connecting acedia to depression, the depression that poets know.

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i think i've read most of her stuff -- only one of her volumes of poetry (Little Girls in Church) incl Quotidian but not this latest.
I esp appreciate her BothAnd mix of Benedictine and Presby (with a tinge of Methodist) and her appreciation of rural life.
This maybe nouveau emergent heresy but -- out in the sticks we've been doing emergent for centuries. ain't nothing new under the sun...
and Kathleen Norris writes it as well as anyone
grace and peace
Just this week finished The Virgin of Bennington. Suddenly the world of poetry is so much bigger. Norris knows her stuff as well as writes from the soul. Before moving to eastern Montana I read Dakota, and it gave me such a clear view of the land and its people for which I am grateful. Have stopped by one of "her" monasteries occasionally to feed my soul in this barren, lonely place. Grateful for her spiritual life that enlivens mine.
Virgin of Bennington
Cloister Walk
Amazing Grace
Dakota
Favorite: Cloister Walk. There is so much richness there, particularly discovered at a time when I was thinking hard about my identity as a woman. The ch. on the Virgin Martyrs had a huge impact on me. Second favorite: Dakota. I grew up in a small town.
Losing and coming to faith, and depression, are part of all her books. I appreciate her honesty.
Dana
“The people I encountered every day were not other writers but farmers and ranchers, and something of their deep respect for God, the land, and the weather began to rub off on me.”
Yes.
Living on long dirt, under a big sky, does something to the soul.
Maybe farming isn't so different than writing, this act of digging hands into the stuff of earth and touching God?
I liked the chapter, but had a similar thought that she was discussing more of her transition into life in S.D., and not much about acedia.
The rawness of her writing both attracts and repels me. It's real, and when she discloses how some of the lies she bought into about writing- which overlap with all kinds of work- I always shudder a bit. I haven't read her other works, but I'm enjoying this book.
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