
I learn so much from pastors, and I'll be blogging about one such pastor soon, and I've learned that I learn so much because we learn from one another. Pastors sometimes write me about cracking the code of a passage so they can preach it well, and I write to them about wisdom for preaching.
Now from a professor to a pastor. Pastors I think could help their preaching and their prayers if they read books about writing. Besides reading the Bible, pastors read books about management and leadership and stewardship and communication, but I wonder how many of them read books about writing. Learning about writing is, as Marilyn Chandler McEntyre says in her wondrous romp into the world of words, learning to care for and about words. Her book has just that title:
Caring for Words in a Culture of Lies
.
How have "writers" or books about writing helped you as a pastor? What are the best writers for you?
But this isn't one of those Will Strunk -- E.B. White books that tells us to use good grammar or spell words properly, and there's a place for those books. I've worn mine proudly. Instead, McEntyre's book reads like a testament of love for the words this professor has learned. She's been teaching students to love poetry and novels and how to write. She's a master of words, and this book is lavishly dotted here and there with story and quotation, and pastors would do well to learn to care about and for words. Your prayers and the preaching will improve.
Princeton Theological Seminary asked McEntyre, a professor at Westmont, to give the Stone Lectures, and she essayed into her subject with twelve insights:
1. Love words
2. Tell the truth
3. Don't tolerate lies
4. Read well
5. Stay in conversation
6. Share stories
7. Love the long sentence
8. Practice poetry
9. Attend to translation
10. Play
11. Pray
12. Cherish silence.
Pastor, ignore this book at your risk. Read it and cherish it to your own blessing.
I don't have a commonplace book, and were I to begin, I would surely fall behind, even if it would be a rush of joy for me just to sit down to write with one of my fountain pens. How do I come up with quotes? I don't, and never will, use a quotation book. That is cheating for me. Public speakers use books like that; I'm a reader and a writer and scholar. That means I've got to find my own quotations. Here's what works for me - not that I think I'm all that good at it. Three shelves of books sit next to my desk. These books are my "writers" whose books contain generous underlining from my previous readings. I could list them, but they go back to Homer and the classical writings in both Greek and Latin, and then I jump forward to Augustine and Dante, and then onto Shakespeare, Montaigne, Addison and Steele ... a basic chronological approach. I end with Eco, Nancy Mairs, R. Scott Brunner, and V.S. Naipaul. When I am writing something, I open some of these books and beg, borrow, and steal quotations. My favorites, of course, are those who twist life into a tangy juice - like Flannery O'Connor, or who draw their own smoke - like Isaiah Berlin. Sometimes Bacon can generate a new thought, othertimes Hazlitt can provide the chosen word, and on other occasions C.S. Lewis brushes the mountains with the clouds of magic. But there they sit, my friends.
Great authors can sometimes be found in magazines and journals. I subscribe to some academic journals for my field and, like the evening shadow, they are covering the entire room with their shades. Others are for just reading and learning. So I subscribe to The Jerusalem Report, which is a nosy magazine about Israel. I read Commentary, which is knowledgeable about Israel's place in the international context. Its writers are intelligent and they write for those who want to think about the right side of political power in the world. I also take Gilbert! but this will be the last year I read it. There is too much dreck and ephemeral writing by sentimental Chesterton fans, even if I appreciate Dale Ahlquist and various bits and bobs in the glossy magazine. I read The New York Review of Books and First Things (but not one after the other!).
Shelves, by the way, do make a difference. If my books had made me famous or wealthy (I'd prefer the latter over the former), and if publishers thought of me as someone worth marketing lavishly (which they don't), I would have a library of books housed caringly in Levenger bookcases (which I don't have). You know the kind: stackable, individual shelves, each with a glass door engraved ("History: Ancient," or "Essayists: American"), and made of solid, honest-to-goodness oak. They would surround my room, some four feet high, some five, and some eight or nine. Above the four feet high shelves would be art work from the finest - "finest" for me means Rembrandt and Carravagio, not Picasso or any of the modernists who, like fiction writers, make up their own world. I've got but one bookshelf like this and it is what the Germans call a billige Nachahmung. It is about five feet high, stands proudly in our living room on a wooden floor, and presents our set of Dickens, some of the Great Books of the Western World, some of Bonhoeffer in German, some baseball books, and a half shelf of my own (paperback) books. On it sits pictures of our two children, and behind them a nice clock (always, as my wife insists, set about 7-10 minutes ahead).
So, in desultory style, I bought another of Epstein's familiar essays (which he defines as a "line out for a walk"), and then before the summer was out I had read seven books of familiar essays and four books of literary criticism, and I was ready for any and all that he was writing or editing. So, I bought his The Norton Book of Personal Essays. Done with his (true) books, I mustered the courage to write him a note of appreciation and began to tell my friends to read him. My dad found him wonderful, and that matters because he is my dad and because he is a retired English teacher who likes authors who can make a page an anticipation of blessings. What Joseph Epstein does is make every page a delight to read, regardless of the topic - and he writes about everything. He does so with élan, with wit, and a touch of gentle cynicism as his tarragon.
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