Do You Believe in Miracles?
10 Exercises to Stay Spiritually Fit
20 Scriptures That Bring Hope to Any Situation
5 Ways to Revive Your Dream!
7 Ways to Plant Seeds of Greatness in Your Life
20 Powerful Declarations to Fight Discouragement
5 Ways to Stay Healthy This Summer
5 Tips for Better Sleep
7 Top Health Issues Facing Today’s Women
Celebrities Who Won't Back Down
Words of Wisdom from Dr Joyce Brothers
A Conversation with Minnesota Wild Center Matt Cullen
Yes, Gratitude Works!
10 Ways to To Handle Life Changes With Courage
The Fruits of Desire
Nurturing a Healthy Marriage
10 Ways to Get Over a Hurtful Past
Ten Things Every Dad Should Tell His Son
| Lowest Recommended Age: | All Ages |
| MPAA Rating: | NR |
| Profanity: | None |
| Nudity/Sex: | Mild references |
| Alcohol/Drugs: | Drinking, smoking |
| Violence/Scariness: | Comic peril and violence, no one hurt |
| Diversity Issues: | A theme of the movie |
| Movie Release Date: | July 1, 1965 |
Dedicated to “Mr. Laurel and Mr. Hardy,” this movie is both a spoof and a loving tribute to the silent classics, with good guys, bad guys, romance, adventure, slapstick, music, wonderful antique cars, and the biggest pie fight in history. The opening credits are on a series of slides like those in the earliest movies, complete with cheers for the hero and boos for the villain, and a flickering old-fashioned projector that at one point appears to break down. Always dressed in impeccable white, the Great Leslie (Tony Curtis) is a good guy so good that his eyes and teeth literally twinkle. His capable mechanic and assistant is Hezekiah (Keenan Wynn). The bad guy is Professor Fate (Jack Lemmon), assisted by Max (Peter Falk). Like Wile E. Coyote, Fate’s cartoonishly hilarious stunts to stop Leslie inevitably backfire.
After a brief prologue, in which Fate tries to beat Leslie in breaking various speed records, literally trying to torpedo him at one point, they both enter an automobile race from New York to Paris. So does a beautiful reporter (Natalie Wood as Maggie DuBois) trying to prove she can get the story — dressed in an endless series of exquisite ensembles designed by Hollywood legend Edith Head. 
The race takes them across America, through the Wild West, to a rapidly melting ice floe in the Pacific, and into a European setting that is a cross between a Victor Herbert operetta and “The Prisoner of Zenda,” where a spoiled prince happens to look exactly like Professor Fate and it takes all of the stars to foil an evil Baron (Ross Martin) who wants to use Fate to take over the throne.
