Dana Stevens liked "Year One" more than I did and she nailed the Black-Cera chemistry with this beautifully written assessment:
[Michael Cera] has a way of stepping on the very end of Black's lines with quickly blurted put-downs that gets me every time; it's the comedy of passive-aggression, a tart counterpoint to Black's oleaginous self-assurance. Cera's critics complain that he always plays the same role, but I've said it before and I'll say it again: We need Michael Cera to keep being Michael Cera. Nobody else knows how.
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