Day plays the wife of a successful obstetrician (James Garner) who becomes an accidental media sensation when she starts doing ads for "Happy Soap." This creates enormous upheaval at home -- it was the pre-feminist era, and the movie's ending is so unabashedly sexist it will have you howling with either laughter or disbelief. But if that message is outdated, its commentary on the "organization man" and manipulative marketing still feels very apt. And it is always a blast to see two of Hollywood's most gifted performers doing what they do better than just about anyone. Plus, Garner drives his car into a swimming pool. The witty screenplay was written by Larry Gelbart ("Tootsie," the "M*A*S*H" television series) and Carl Reiner ("The Dick Van Dyke Show"), who appears in the clever trailer and the film, and the capable co-stars include Arlene Francis (who is adorable in the first scene as a wife with some very good news) and many of the top character actors and comics of the 1960's.
Many thanks to my wonderful daughter for showing me this fabulous compilation of Day's "mad" scenes.
I like her definition of "haunting" -- "cinematic points in time that bring revelation to our souls in some big or small way."
The moments that haunt me tend to involve extraordinary kindness or devotion. Some that I would add:
1. The last moment in Charlie Chaplin's City Lights. He has sacrificed everything to pay for an operation to restore the sight of a young woman who believed he was wealthy. In the last moment of the film, she touches his hand and realizes the tattered and almost broken man before her is her benefactor.
2. "Miss Jean Louise, stand up. Your father's passin.'" In To Kill a Mockingbird the children of Atticus Finch are sitting in the balcony of the courthouse with members of the African-American community and learn from the way they respond to him how important and meaningful his integrity is.
3. Helen Keller learns about language in The Miracle Worker. Teacher Annie Sullivan shows the blind and deaf girl that she can communicate.
4. A family farewell in A Man for All Seasons. Sir Thomas More's family comes to say goodbye to him in prison after he has chosen almost certain death rather than compromise his principles.
5. Erin Brockovich visits the families. At one home she smiles at a terribly sick little girl and gently teases her about how she is so pretty she must be driving the boys crazy. For one moment the girl and her family get a glimpse of a life in which they have the luxury of worrying about boys instead of worrying about chemo.
Writing about the original version of "The Electric Company" reminded me of one of my all-time favorite short films by John and Faith Hubley, who later went on to work on the "Letterman" segments of that show. It is the story of two little girls playing and it is called "Windy Day."
When the Hubleys began making films, animation was very structured and scripted. Their great innovation was the use of improvised dialogue and impressionistic images and the result was fresh, natural, innovative, and remarkably touching. In "Windy Day," the dialogue is the private conversation of the Hubley daughters as they were playing. I first saw and loved it when I was just past the ages of those girls myself, and I thought of it often as I listened in on my own children at play.
The Hubleys created many more wonderful films, including "Everybody Rides the Carousel," based on the work of Erik Erikson about the psychological stages of development, and "The Hat" about two border guards (played by Dudley Moore and Dizzy Gillespie) who argue over what they should do when one's hat blows into the other's territory.
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