The writer whose credits include the sexually explicit megabomb
"Showgirls" plans an original screenplay on the Virgin of Guadalupe, an
icon of the Virgin Mary that supposedly appeared to a Mexican peasant in the 16th century.
Once
notorious as a heavy boozer and smoker in Hollywood, Eszterhas overcame
his addictive habits and found God after he was diagnosed with throat
cancer.
"This is a labor of love for me,"
Eszterhas said. "I have been hoping for some time to write a film that
is both entertaining and inspiring."
Eszterhas' as-yet-untitled Guadalupe project is being written for Mpower Pictures, founded by producer Stephen McEveety, whose credits include Mel Gibson's religious blockbuster "The Passion of the Christ."
I'm hot and cold on the Coen Brothers. Well, mostly warm and cold. 'Hot" is too strong. I liked...(everyone ready with your list - it's a pastsime) Raising Arizona, Fargo and No Country for Old Men the best, although with the last, I was more intrigued with the differences between the film and book more than anything else. I'll put The Big Lebowski on there in honor of Michael, who was somewhat of a devotee. One of the most most memorable note I received in February was from David Scott, who knew Michael at OSV and wrote something very affecting in reference to the movie. No, it wasn't The Dude Abides - I can't find it right now. But it was near-perfect, and Michael would have nodded in agreement. And laughed pretty loudly.
Anyway.
What I don't like about the Coens is pretty much what others don't like: the mannered artificiality that is pretty to look at, entertaining, but most of the time soulless. The in-jokes and regular cast of characters.
So. May I say that their next film features (it seems) neither George Clooney, John Goodman nor (even spouse) Frances McDermond?
And it looks...interesting?
A Serious Man is a movie loosely based on the Coen brothers' childhood ....."Imaginatively exploring questions of faith, familial responsibility,
delinquent behaviour, dental phenomena, academia, mortality and Judaism" via the protagonist's taking of his problems to three different rabbis.
Eh, I'll probably be disappointed. But one can always hope.
Is there anything else about the new movie you want to talk about?
Some [people] have walked out on the movie. I said, "Understand that
it might be hard to watch this, but understand that that lady and many
of those women that have gone
through this, suffered a little bit more
than we did." It's good to bring attention to things that are highly
immoral. In this case, I think it's more immoral not to do anything
about it.
Weren't there similar responses to "Passion of the Christ"--where people couldn't bring themselves to finish watching it?
I think that people understand what the story is. It's about
whether they see it or not. This one, they'll hear about it, and it's
the same thing. We're all playing the story out of the Bible right now.
Many of us are different characters. We always try to think of
ourselves as the saints and the good characters, but many of us are
playing the Pharisees, Pontius Pilate, Judas. There are good and there
are bad in this world. But our job is not to figure that out. We just
know who we are and try to take as many people we can to Heaven by how
we live our life.
And I think stories like this, moral reminders, they're
powerful. If we cower in the movie, we'll probably cower in life. If we
cower in the movie, then we say, "I'm not ready. I've got to get
ready." Something might come up where people are going to run from or
walk away from, and I know I'm not there yet.
It's a humility thing. And eventually, that's when greatness
happens [and] you're able to do courageous things. Movies like this
help you see where you're at. Yes, it's very difficult to watch, but
also, have you ever watched a move at times and you feel like you'd
run? Well, you probably will in real life, too.
And so, playing it out is kind of a trial run--a practice for
the real thing that might come to your doorstep one day. We all are
going to have to make that, and it'll be different ways. It'll be
different things. It'll be a trial like that and different ways to
prove our love for God. Eventually, that will happen. I can promise you
this much: It will take everything out of you, and it will demand
nothing less than courage from God. If you won't have it within you--if
you don't have it within you--we won't be able to do it when it really counts.
Jeanine Deckers, or Sister Luc Gabriell, was a Dominican nun who had
taken the veil to find refuge from a troubled life in the world. Her
musical talent caught the attention of Catholic TV in Belgium, and the
next thing she knew, she was an international hit with the song
"Dominique."
But life as the Singing Nun was not all champagne and rosaries.
Deckers/Gabriell left the convent in 1967 to pursue an independent
recording career, of primarily religious songs. She had, or developed,
a serious drinking and drug problem. She also ended up with a tax
problem related to the royalties from "Dominique" -- which she had
donated to her convent. Then there was that song praising, not her
Lord, but the Pill. (Oopsie.) Plus she had a female [EUPHEMISM ALERT]
"companion," with whom she eventually committed suicide.
I have so many books waiting to be read...I think I am almost to a point where I can do so. I actually read an entire short story the other night - "Japenese in Warsaw" by Shusaku Endo. It was in a short story collection, recently released, called The Final Martyrs.
Why am I the only person I know..or even "know" in the Internet sense of "knowing" - who didn't hate it? I didn't love it, either. There was a lot wrong with it. Weak characterization. Miscasting. Anvil-wielding mentally ill prophets.But...
Pasolini's "Gospel According to St. Matthew>" It is easier for a camel to go through the eye of a needle than for disinterested parties to see "The Passion," Mel Gibson's much talked about film on the death of Christ. But...
Now, even without seeing it, I'll dare to say that Passion is probably as excellent as people say it is. A lot of people have seen it, smart and fair-minded people, who are saying it's a fine film and not...
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Amy Welborn is the author of 17 books on prayer, saints, apologetics and church history. Her articles and columns have appeared in Our Sunday Visitor, Commonweal, First Things, Catholic Digest, Liguori, and been syndicated by Catholic News Service.
Amy has an MA in Church History from Vanderbilt University and spent several years working in Catholic schools and parishes before taking up writing full time. She was married to Catholic author Michael Dubruiel until his unexpected death in February of 2009. She has five children ranging in ages from 4 to 26.